Madoka presents a love song for the techno age. Sharp, gritty, stomping beats over ethereal strings rubbed up against a dirty, pulsating, guttural bassline.

Madoka explores surreal territory with an entranced banger.

Future Unwritten showcases two new originals from Madoka in a stomping, big-room return to his musical form.

Madoka’s second full-length album is a fresh and focused collection of material from the veteran producer.

Unearth the planet’s heaviest elements with the saturated drums, atomic chords, and heady strings of “Element 118.”

Madoka returns to his big-room roots with this rumbling monster.

To satisfy more minimal tastes, the pads, melodies, and bassline of the original Beacon EP lineup were muted to produce two new dubs.

Madoka returns with deep, dark, and dirty signature ‘second room’ sounds. The Beacon EP kickstarted a refreshed chapter in Metamotional’s ongoing story in 2015.

A curated collection of eight artist remixes is presented from the first chapter of the Metamotional and Private Reality story.

Madoka presents his first full-length album, written over two years and tested by select DJs.

Madoka produces a deep, buzzy three-song EP under his Leroy Carroll guise.

Madoka explores his tech-driven and more free-form side with a project under his Leroy Carroll name.

Satoshi Fumi warmly recalls a blissful 90’s Tech House sound with a funky, shuffling groove and a wonderfully ethereal drop. Fumi’s good friend, Osamu M, contributes to the package with an excellent techy remix.

What more can be said about this beauty? Drift remixes were featured in DJ sets and CD compilations, including Mo Shic’s February 2003’s Essential Mix and paired with the amazing Roel H. remix.

Three pieces come to you courtesy of Madoka’s Clerk 33 outfit. From the throbbing, rumbling bass and sharp rhythms of “Elektrix” to the understated tone of “Hydraulix,” the set references a variety of electronic styles.

I think it’s time for something different! MTTM is Metamotional Music’s flagship release. MTTM and Arena signal a stylistic departure from Madoka’s typical big-room tendencies, exploring a deeper musical direction.