Future Unwritten
Future Unwritten showcases two new originals from Madoka, turning in a stomping, big-room return to musical form.
Download Category: metamotional
Speak For Yourself
Madoka’s second full-length album, Speak For Yourself, serves as a fresh and focused, steady and slow-building collection of material from the veteran producer.
Element 118
Unearth the planet’s heaviest elements with the saturated drums, atomic chords, and heady strings of Element 118.
While the Lights Are Out
Madoka returns to his big-room roots with this rumbling monster. The Dub has a darker tone, with the main melody removed.
Beacon (DC Dubs)
To satisfy more minimal tastes, the pads, melodies, and bassline of the original Beacon EP lineup were muted to produce two new dubs.
Beacon
Deep, dark and dirty ‘Second Room’ sounds. The Beacon EP kickstarted a fresh chapter in Metamotional Music’s ongoing story in 2015.
Remix One
A curated collection of eight artist remixes taken from the first chapter of the Metamotional and Private Reality story.
A Cure for Loneliness
Written and tested with DJs and producers over two years, Madoka presents his first full-length album.
Lost Again
Madoka explores his tech-driven and more free-form side with a project under his Leroy Carroll name.
Moment of Truth
Satoshi Fumi warmly recalls a blissful 90’s Tech House sound with a funky, shuffling groove and a wonderfully ethereal drop. Fumi’s good friend, Osamu M, contributes to the package with an excellent techy remix.
Drift
What more can be said about this beauty? “Drift” remixes were featured in DJ sets and compilations including Mo Shic’s February 2003 BBC Radio 1 Essential Mix and paired with the amazing Roel H. remix.
Elektrix
Three pieces come to you courtesy of Madoka’s Clerk 33 outfit. From the throbbing, rumbling bass and sharp rhythms of “Elektrix” to the understated tone of “Hydraulix,” the set references a variety of electronic styles.
MTTM
I think it’s time for something different! MTTM is the flagship release for Metamotional Music. The two songs signal a stylistic departure from Madoka’s typical big room tendencies, exploring a deeper musical direction.